{"id":3420,"date":"2024-05-27T05:28:42","date_gmt":"2024-05-27T05:28:42","guid":{"rendered":"https:\/\/radiogjilani.com\/index.php\/2024\/05\/27\/nga-basquiat-te-warhol-ja-se-si-ndryshoi-gjithcka-ne-artin-e-1984-s\/"},"modified":"2024-05-27T05:28:42","modified_gmt":"2024-05-27T05:28:42","slug":"nga-basquiat-te-warhol-ja-se-si-ndryshoi-gjithcka-ne-artin-e-1984-s","status":"publish","type":"post","link":"https:\/\/radiogjilani.com\/index.php\/2024\/05\/27\/nga-basquiat-te-warhol-ja-se-si-ndryshoi-gjithcka-ne-artin-e-1984-s\/","title":{"rendered":"Nga Basquiat te Warhol: Ja se si ndryshoi gjith\u00e7ka n\u00eb artin e 1984-s"},"content":{"rendered":"

Historia e artit \u00ebsht\u00eb si nj\u00eb lak i pafund, i cili bashkon t\u00eb zez\u00ebn dhe t\u00eb bardh\u00ebn, pozitiven dhe negativen, alpha-n dhe omega-n, figuracionin dhe abstraksionin.<\/p>\n

\u00cbsht\u00eb e v\u00ebshtir\u00eb n\u00eb mes t\u00eb nj\u00eb pafund\u00ebsie t\u00eb till\u00eb t\u00eb identifikosh vite vendimtare, momente t\u00eb sakta ku gjith\u00e7ka ndryshon p\u00ebr t\u2019u b\u00ebr\u00eb di\u00e7ka tjet\u00ebr.<\/p>\n

E v\u00ebshtir\u00eb, por jo e pamundur.<\/p>\n

P\u00ebr shembull, viti 1881 njihet bot\u00ebrisht si viti n\u00eb t\u00eb cilin l\u00ebvizja impresioniste lul\u00ebzoi me ekspozit\u00ebn e par\u00eb parisien\u00eb.<\/p>\n

\n


\n \"reklama
\n <\/a><\/p><\/div>\n

N\u00eb vitin 1917, me rastin e ekspozit\u00ebs s\u00eb Shoq\u00ebris\u00eb s\u00eb Artist\u00ebve t\u00eb Pavarur, gjeniu i madh Marcel Duchamp nxori nga kapela e tij nj\u00eb lepur t\u00eb bardh\u00eb t\u00eb quajtur Fountain<\/em> dhe prezantoi konceptin e artit t\u00eb gatsh\u00ebm, q\u00eb ndryshon p\u00ebrgjithmon\u00eb.<\/p>\n

Action Painting<\/em> lindi n\u00eb vitin 1950 dhe do t\u00eb revolucionarizonte vet\u00eb konceptin e piktur\u00ebs, nd\u00ebrsa dhjet\u00eb vjet m\u00eb von\u00eb, n\u00eb vitin 1960, Pop Art zbarkoi n\u00eb planetin Tok\u00eb me vepra t\u00eb mjeshtrave si Andy Warhol dhe Roy Lichtenstein, t\u00eb cil\u00ebt do t\u00eb ndikonin thell\u00ebsisht n\u00eb kultur\u00ebn popullore dhe krijimtarin\u00eb bashk\u00ebkohore.<\/p>\n

Pothuajse nj\u00eb version prej mishi dhe gjaku i paralajm\u00ebrimeve distopike t\u00eb p\u00ebrfshira n\u00eb romanin vizionar t\u00eb George Orwell me t\u00eb nj\u00ebjtin em\u00ebr.<\/p>\n

\u201cN\u00eb err\u00ebsir\u00ebn e nat\u00ebs, disa ende guxojn\u00eb t\u00eb pikturojn\u00eb n\u00eb mure, t\u00eb shkruajn\u00eb poezi sekrete, t\u00eb krijojn\u00eb vepra arti klandestine\u201d, shkroi ai n\u00eb 1949.<\/p>\n

\u201cAta jan\u00eb rebel\u00ebt e fundit t\u00eb shpirtit njer\u00ebzor, q\u00eb i rezistojn\u00eb tiranis\u00eb p\u00ebrmes bukuris\u00eb\u201d.<\/p>\n

Dhe nga kjo bukuri, n\u00eb fillim t\u00eb viteve 80, ka pak.<\/p>\n

Sepse sezoni dominohet nga tjet\u00ebrsimi dhe zhg\u00ebnjimi, i pezulluar mes frik\u00ebs s\u00eb katastrof\u00ebs b\u00ebrthamore, asnj\u00ebher\u00eb kaq e lart\u00eb q\u00eb nga dit\u00ebt e JFK-s\u00eb dhe kriz\u00ebs kubane, dhe asaj t\u00eb epidemis\u00eb s\u00eb AIDS-it q\u00eb vazhdon t\u00eb p\u00ebrhapet, duke marr\u00eb viktima n\u00eb \u00e7do shtres\u00eb t\u00eb popullsis\u00eb.<\/p>\n

\"\"
Portreti i Keith Haring 1984<\/figcaption><\/figure>\n

MoMA n\u00eb New York i kushtoi nj\u00eb nga ekspozitat e saj m\u00eb vizionare vitit 1984, sakt\u00ebsisht nj\u00ebzet e kat\u00ebr vjet m\u00eb par\u00eb, n\u00eb vitin 2000.<\/p>\n

Rreth vitit 1984: Nj\u00eb v\u00ebshtrim n\u00eb artin e viteve 80 ishte nj\u00eb shfaqje q\u00eb p\u00ebr kritik\u00ebt e asaj kohe ngjallte tashm\u00eb nj\u00eb shije shampanje dhe kokaine, simbole kontradiktore t\u00eb nj\u00eb epoke po aq kontradiktore.<\/p>\n

N\u00eb sken\u00eb n\u00eb hap\u00ebsirat Queens<\/em> ishin veprat e artist\u00ebve si Keith Haring, Jean-Michel Basquiat, Ashley Bickerton, Jeff Koons dhe Jenny Holzer.<\/p>\n

Disa prej tyre jan\u00eb krijuar duke kombinuar, mbivendosur dhe rip\u00ebrdorur stile t\u00eb ndryshme fal\u00eb asambleve dhe kolazheve.<\/p>\n

T\u00eb tjer\u00eb kishin zgjedhur t\u00eb rr\u00ebfenin n\u00eb m\u00ebnyr\u00eb kritike jet\u00ebn e p\u00ebrditshme p\u00ebrmes mjediseve ekstreme teknologjike dhe mediave t\u00eb reja.<\/p>\n

T\u00eb tjer\u00eb eksploruan trillimet, k\u00ebnaq\u00ebsin\u00eb, politik\u00ebn dhe pushtetin nga k\u00ebndv\u00ebshtrimi i dallimeve gjinore.<\/p>\n

T\u00eb gjith\u00eb, n\u00eb m\u00ebnyr\u00ebn e tyre, kan\u00eb parashikuar disa nga \u00e7\u00ebshtjet m\u00eb t\u00eb nxehta t\u00eb dit\u00ebs s\u00eb sotme.<\/p>\n

Pabarazit\u00eb ekonomike, racizmi, mbrojtja e pakicave, barazia sociale, identiteti gjinor dhe t\u00eb drejtat e LGBTQ+: pothuajse nj\u00eb shije paraprake e asaj q\u00eb do t\u00eb vinte menj\u00ebher\u00eb pas k\u00ebsaj.<\/p>\n

Carolyn Christov-Bakargiev, historiane e nderuar e artit shpjegon pse gjith\u00e7ka rrotullohet rreth atij viti fatal.<\/p>\n

\u201cPjes\u00ebrisht p\u00ebr shkak t\u00eb Orwell-it\u201d, rr\u00ebfen ajo.<\/p>\n

\u201cDhe pjes\u00ebrisht \u00ebsht\u00eb p\u00ebr shkak se ajo dat\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb paralajm\u00ebroi shoq\u00ebrin\u00eb e sotme t\u00eb fragmentuar, digjitale dhe t\u00eb dominuar nga telefonat celular\u00eb dhe mediat sociale\u201d.<\/p>\n

\u201cPik\u00ebrisht n\u00eb vitin 1984 lindi Macintosh-i i par\u00eb. Nga ky moment filluan t\u00eb tregtohen kompjuter\u00ebt e par\u00eb. Nga pik\u00ebpamja artistike \u00ebsht\u00eb nj\u00eb faz\u00eb vendimtare sepse shfaqen temat e para q\u00eb lidhen me dallimet, ve\u00e7an\u00ebrisht ato etnike dhe gjinore\u201d.<\/p>\n

\"\"
Nj\u00eb portret i artistit Andy Warhol, 1984<\/figcaption><\/figure>\n

P\u00ebr Carolyn Christov-Bakargiev, vitet \u201980 jan\u00eb si nj\u00eb diamant i ashp\u00ebr me shum\u00eb aspekte.<\/p>\n

Kuratorja i p\u00ebrkufizon si \u201cmikrobot\u00eb\u201d q\u00eb as nuk komunikojn\u00eb dhe as nuk konkurrojn\u00eb me nj\u00ebri-tjetrin.<\/p>\n

\u00c7do fytyr\u00eb e k\u00ebtij diamanti t\u00eb \u00e7uditsh\u00ebm tregon di\u00e7ka.<\/p>\n

\u201c\u00cbsht\u00eb nj\u00eb stin\u00eb n\u00eb t\u00eb cil\u00ebn shfaqet vet\u00ebdija p\u00ebr t\u00eb jetuar n\u00eb nj\u00eb bot\u00eb q\u00eb nuk \u00ebsht\u00eb m\u00eb lineare dhe plot aspekte, n\u00eb kontrast t\u00eb qart\u00eb me vitet 60 dhe 70\u201d, thot\u00eb Christov-Bakargiev.<\/p>\n

Shkurtimisht, p\u00ebr Christov-Bakargiev vitet 80 jan\u00eb paksa si vitet 20 p\u00ebr Gatsby-n.<\/p>\n

Koh\u00eb t\u00eb zhurmshme, t\u00eb cilat parashikojn\u00eb kriza financiare q\u00eb do t\u00eb fshijn\u00eb gjith\u00eb at\u00eb optimiz\u00ebm dhe g\u00ebzim t\u00eb gjall\u00eb.<\/p>\n

Por si \u00e7do realitet shum\u00ebplan\u00ebsh dhe i p\u00ebrb\u00ebr\u00eb q\u00eb respekton veten, edhe kjo periudh\u00eb ka artistin e saj ikon\u00eb: \u00ebsht\u00eb Jean-Michel Basquiat.<\/p>\n

I vetmi q\u00eb arriti t\u00eb q\u00ebndroj\u00eb n\u00eb ekuilib\u00ebr t\u00eb p\u00ebrsosur mes dy universeve diametralisht t\u00eb kund\u00ebrta.<\/p>\n

Marr\u00eb nga \u201cLa Repubblica\u201d, p\u00ebrshtatur p\u00ebr Albanian Post\u00a0<\/em><\/p>\n

The post Nga Basquiat te Warhol: Ja se si ndryshoi gjith\u00e7ka n\u00eb artin e 1984-s<\/a> appeared first on Albanian Post<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Historia e artit \u00ebsht\u00eb si nj\u00eb lak i pafund, i cili bashkon t\u00eb zez\u00ebn dhe t\u00eb bardh\u00ebn, pozitiven dhe negativen, alpha-n dhe omega-n, figuracionin dhe abstraksionin. \u00cbsht\u00eb e v\u00ebshtir\u00eb n\u00eb mes t\u00eb nj\u00eb pafund\u00ebsie t\u00eb till\u00eb t\u00eb identifikosh vite vendimtare, momente t\u00eb sakta ku gjith\u00e7ka ndryshon p\u00ebr t\u2019u b\u00ebr\u00eb di\u00e7ka tjet\u00ebr. E v\u00ebshtir\u00eb, por jo […]<\/p>\n","protected":false},"author":1,"featured_media":3421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/posts\/3420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/comments?post=3420"}],"version-history":[{"count":0,"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/posts\/3420\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/media\/3421"}],"wp:attachment":[{"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/media?parent=3420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/categories?post=3420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiogjilani.com\/index.php\/wp-json\/wp\/v2\/tags?post=3420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}